Born in June 1957 in Birmingham, Willard Wigan began his artistic life at a tender age, creating art of such minute proportions that it virtually could not be seen with the naked eye.

“It began when I was five years old,” says Willard. “I started making houses for ants because I thought they needed somewhere to live. Then I made them shoes and hats. It was a fantasy world I escaped to. That’s how my career as a micro-sculptor began.”

Willard’s micro-sculptures are now so minute that they are only visible through a microscope. Each piece commonly sits within the eye of a needle, or on a pin head. The personal sacrifices involved in creating such wondrous, yet scarcely believable pieces are inconceivable to most. Willard enters a meditative state in which his heartbeat is slowed, allowing him to reduce hand tremors and sculpt between pulse beats. Even the reverberation caused by outside traffic can affect Willard’s work. Consequently, he often works through the night when there is minimal disruption.